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Texts, talks and tailoring: Chimamanda Ngozi Adichie’s fashion politics

机译:文本,谈话和剪裁:Chimamanda Ngozi adichie的时尚政治

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摘要

This paper traces the rise of author Chimamanda Ngozi Adichie to international prominence as a literary celebrity and public intellectual by assessing the significance of fashion as a transmedia phenomenon in her writing and public discourse. While much has been made in the media about the significance of hair in her third novel Americanah (2013), I suggest that the politics of fashion have been central to the construction of all Adichie’s fictional writing, and in the development of her public image. These interests were foregrounded in the writer’s acclaimed TED Talk “We Should All Be Feminists”, which has since been published as a book. During the talk she remarks, “I have chosen to no longer be apologetic for my femininity […] I am happily girly. I like high heels and trying on lipsticks” (39-40). I argue that Adichie deploys such references to fashion and dress in order to negotiate tensions between the different cultural contexts traversed by her feminist politics, and her construction as both an internationally acclaimed novelist and style-conscious Nigerian. By weaving her celebrity out of different forms of fashion, Adichie has both asserted a distinctive identity and helped her politics to reach diverse cultural spaces.
机译:本文通过评估时尚在她的写作和公共话语中作为一种跨媒体现象的重要性,来追溯作家Chimamanda Ngozi Adichie作为文学名人和公共知识分子而在国际上的崛起。尽管媒体已经就她的第三本小说《美国人》(Americanah)(2013年)中的头发意义做出了大量报道,但我认为,时尚政治一直是阿迪奇所有虚构作品的构建以及她公共形象发展的核心。这些兴趣在作者备受赞誉的TED演讲“我们都应该成为女性主义者”中得到了体现,该演讲后来作为一本书出版。她在谈话中说:“我已选择不再为自己的女性化而道歉[...]我很幸福。我喜欢高跟鞋,尝试口红”(39-40)。我认为,阿迪基(Adichie)在时装和服饰上使用了这样的提法,以便在其女权主义政治所遍历的不同文化背景之间以及在她作为国际知名的小说家和注重时尚的尼日利亚人的建构之间进行协商。通过将她的名人编织成不同形式的时装,阿迪基不仅确立了独特的身份,而且还帮助她的政治进入了多元化的文化空间。

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    Lecznar, Matthew;

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